Orkhan Mammadov

Raisonne

Product lead on a catalogue raisonné CMS for on-chain art — and the open-source platform it is becoming.

Client
Own product, orkhan.art
Role
Product lead
Design direction
Prototyping
Year
2025 to 2026
Discipline
Product Design
Web
Prototyping
Design Systems
The orkhan.art catalogue index: a masonry grid of series, each tile carrying its own artwork count and collector count
[ THE PROBLEM ]

An artist with more than four thousand works starts without a system of record. The works sit on Ethereum, Base, Bitcoin Ordinals and several marketplaces, each with its own idea of what a collection is. Exhibitions, press and provenance live in files. Nothing agrees on what counts as one work, and nothing can say, from the chain alone, which of those contracts the artist made rather than merely holds. A studio archive has to answer both questions: what exists, and whose it is.

[ GOAL ]

One system of record for a practice spread across several chains and marketplaces, holding both the archive and the evidence behind it.

[ SOLUTION ]

1. One catalogue model that reads as a grid, a gallery, a table, a series page, a CV and a press index. 2. Owned infrastructure: one server, one CMS, and the artwork media pinned on a self-hosted IPFS node that several of the series now resolve through on-chain. 3. An import that reads wallets and returns the series they created, with the evidence for each one shown before anything is saved.

The catalogue

[ THE CATALOGUE ]

The public reading surface. Every series, work, edition and chain fact comes out of one CMS, so the same record can be read as an index, a gallery or a table.

The orkhan.art home page: the positioning statement, a view catalog button and the showreel panel opening below it
The front door of the catalogue
The catalogue in gallery view: three works shown at full height, browsed as images rather than as an index of titles
Gallery view: the records read as images
The catalogue in table view: title, year, medium, tags and type columns, with exhibitions, installations and collections in one list and a series expanded into its works
The same catalogue as a table
A single artwork page: the piece at full height, with chain, token standard, year and marketplace listed next to it rather than behind a link
One work, with its chain facts beside it

The archive

[ THE ARCHIVE ]

The same records do more than one job. Series pages, the exhibition history, the press index and the collector-facing analytics are all readings of the catalogue, not separate content.

The Muraqqa Neural Impressions series page: a grid of works from the series, each carrying its own data panel under the image
Muraqqa Neural Impressions, resolving through an owned node
The CV page: solo exhibitions on the left and group exhibitions on the right, each with venue, city, year and curator
Solo and group shows, rendered from the records
The press and media index: coverage laid out as images and entries, drawn from the same CMS as the works
Press and media, kept as records
The insights landing: approach and methodology text above four categories, guild, analytics, leaderboard and network
The analytics section of the catalogue

Proving who made it

[ PROVING WHO MADE IT ]

The hard part is not finding contracts. It is separating what a wallet created from what it merely holds. An early run confirmed a look-alike on Base, so control alone stopped counting as authorship.

One run: wallets in, 22 of 22 back
The import at rest: pasted wallets, Ethereum and Base selected, and the six passes waiting, from deployed contracts to enumerating works
The whole input is a list of wallets
The review step: confirmed and suggested explained in plain language, with a co-authored series flagged, left unticked and waiting for a person
Control is not authorship, so it starts unticked
The review list with one series expanded: deployer, owner and ownership log, each with the address it matched and a transaction link
Every row carries the reason it was attributed
Shared contracts resolved token by token on Foundation, SuperRare and OpenSea, and below them a contract on Base carrying the artist name, unticked
A look-alike on Base, sitting under suggested
The score panel: 22 of 22 found, none missed, 38 extra not listed on orkhan.art, first series at 1.5 seconds, 17.7 seconds in total
Scored against the 22 contracts the site lists
A portfolio preview generated from the ticked series, works loaded straight from their token metadata into a grid
The preview is built from the ticked rows only

The open default

[ THE OPEN DEFAULT ]

The same catalogue in a standard shadcn theme, the default an install would ship with. The design orkhan.art runs stays private. The open default is not released yet.

The default theme home page: name, one-line statement, links and a featured works row, all standard shadcn components
The artist page in the neutral theme

The how-to

[ THE HOW-TO ]

The open install carries its own documentation. Not marketing copy — the artist’s workbench: how visitors move through the catalogue, how series and works are modelled, how import turns wallets into attributed series, where the fixture files live, and every route and environment variable from A to Z. Gated with the other tools behind RAISONNE_TOOLS so a public host is not advertising a workbench by default.

Import, series, and every feature, written into the product

Raisonne docs page with sticky section navigation
The docs page: start here through A–Z, with a sticky section rail
Docs section on series and works
Series and works: kinds, pages, evidence signals, edition honesty
Docs section on importing art from wallets
Import art: wallets, six discovery passes, series review defaults
Docs A–Z feature and environment reference
A–Z: every public route, env var, the catalogue API, update and deploy

Summary

[ SUMMARY ]

Built from 2025 and running today on one server: Payload CMS, a Next.js front end, an analytics service and a self-hosted IPFS node. The direction, and the product and preservation calls, are the artist's own. Catalogue counts read live on 19 September 2026.

4,139
works in the catalogue
49
exhibitions on record
22/22
listed contracts found by the import
204.8 GB
of pinned media now self-hosted
The default theme works index in dark mode, the same neutral shadcn theme rather than a second design